But how can we be sure that it was the Fingerboard side, and not the tailpiece side of the bridge? The usual practice is to start with the grooves for the two outer strings (cello A & C) too high then then file them lower until they are the correct height. Display as a link instead, × Copyright 2019 Maestronet This defines the end of the vibrating string length, and if it's not right, intonation will be impaired at the very least, and you may well find your string sizzling like a sitar string. This is a good maneuver to combine with lowering the string height. The proper measurement at the middle of the string is 5.5 for a violin, 6.5 for a viola, and 8.5 for a cello. ... Before installing new strings, rub nut grooves with a #2 pencil. Yes. of the fingerboard is incorrect. I just answered your question over on the other board. This allows strings to slide easily and prevents breakage. Get the bridge you have on the cello cut down properly by a properly trained luthier. I am a would be maker that does not play ... lol. Use a good bridge to trace the curve between the two, cut off the excess. On rounded fingerboards do you measure vertical to the fingerboard or at 90 degrees to the tangent? 5.5 mm for A string, 8 mm for C. Keep in mind that even if the string heights are to spec, other things like nut height and fingerboard scoop can impact the heights at the opposite end and middle of the fingerboard. With higher tension strings I'd say that maybe 4.5 and 7.5 might become a new standard. height: 20: 21: 21,5: 22 : neck : thickness at body : 33: thickness at scroll : 29 : saddle : length: 50: 52: 54: 55 : string spacing : at nut: 19,5: 21: 22: 23: at bridge: 41,2: 43,3: 45: 47 : soundpost thickness: 8: 9: 10: 11 : string length: 602: 637: 672: 695 : bridge : feet width : 90: thickness : 11: height approx. For some players these measurements will be too high but of course it is much easier to lower string heights than to raise them! If a radical change of strings is done it might mean a new bridge as Andreas suggests or at least filling and re doing the string slots...and of course the type and condition of the fingerboard as has also already been mentioned. × × I am trying to figure out a practical approach to adjust string height somehow to the strings.   Your link has been automatically embedded. The strings at the nut should barely clear the fingerboard.   You cannot paste images directly. You can post now and register later. It's like. Bottom of the string to the board. (13 cm / 2=6.5 cm on most 4/4 violins) 3. problem. Tips on selecting the proper size string instrument (violin, viola, cello, or bass) for your child or student. And if an individual has clear preferences for particular heights, a luthier can adjust. Upload or insert images from URL. So, they are going to fix the bridge issue and rework the fingerboard to restore the proper scoop or angle. Set the A to 1/4 inch above the fingerboard, and the C to 5/16. We don't normally have to measure the G and D string heights because they are derived from the outer string heights and the bridge curvature. Normally using all metal strings I would aim for 5.5 under the A and 8 under the C to start and adjust to the players comfort  and taste. I will also take into consideration the seasonal relative humidity at the time and what I and the client know about the seasonal movement of the cello in question. I sanded down the back of the nut until the strings were just barely clearing the finger board and I was pleased at … The uppermost image on your page is of a bridge, not a template, and it does drop off slightly on the treble side. String heights at the nut, and  2. Yes a lot of this depends on the string types and the players requirements. I have Jargar medium gauge strings on the A and D and Spirocore, tungsten wound (also medium gauge) on the G and C. Aside from the string height, the my cello sounds much more beautiful with the new bridge and the only problem is the facility to play it. The largest groove is on the right hand side of the bridge image, the bass string is usually the thickest string, therefore...... 5-5.5mm for the A string, 8mm for the C at the end of the fingerboard are the common heights for modern string. Tell the maker / shop to fit the bridge accordingly. As a player you should know exactly what string heights you want...Heifetz liked them high, Ricci liked them low.Daniil Shafran was another kettle of fish but he knew what he wanted. Otherwise a bridge can look like the picture below after a while. The Montagnana model can be quite wide in the c-bouts and it is often necessary to do some careful set-up planning to get it right. Thanks, so interesting. Paste as plain text instead, × This normally requires an increase in string height as you move toward the bass strings and this is also the reason for the increase in longitudinal scoop or dip in the fingerboard on the lower strings. The C is 1.4 cm, G is 1.7 cm, D is 1.4 cm, A is 1.1 cm. In the case of a gut C that could near 10 mm. On 5/16/2013 at 11:53 AM, Eyal Vodnizky said: On 5/15/2016 at 6:26 AM, ~ Ben Conover said. If it's already at the proper height, then you have another problem going on, like neck set angle, or fingerboard scoop problems. Or would it be best to adjust the one current on the cello? Bruce, by the way, why the strings height is not the same for every string? 92 : string height at f.b. I forget what the numbers should be, but your strings are too high above the end of the fingerboard. Lengthwise fingerboard relief. (6.5cm x 3= 19.5cm on most 4/4 violins) 4. If the heights have changed since you had the setup done, there could be a projection issue. I went down and met with the folks at Lashof Violins. String heights are the distance between the strings and the top of the fingerboard measured at the end. If that is not your case and you observe them to be 1 mm (or 2mm) high above the fingerboard (as they leave the nut towards the bridge) there you have the. robcat2075 1,222 34 This also includes any possible corrections for string deflection that you mention. Sorry if my original comment seemed 'know it all'  :-). Clear editor. Also, there may be too much scoop in the board. Yes, the bridge is too high. Wanted to provide an update to this thread. At some point, difficulty in playing is going to hold you back and frustrate you. I hope I get most of the terms correct as I'm completely new to the cello. Powered by Invision Community. Display as a link instead, × If the setup stays the same, it’s easier to isolate other factors that might be worth changing. Perhaps it’s not standard but I have learned to like it. This is an oversimplification, but it'll be better than you have now. The problem is, if a player changes the strings he xhould get a new bridge too. No need to guess at the relevant dimensions the gauge can show you instantly. Asking makers who don't play about string heights is not a great idea.


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